Cover Boy:
Kaoru Niikura
~Dir En Grey~

Current Mood:
The current mood of Kali at www.imood.com

Current Desktop:
~Masanobu Ando~


What My Gaia Avatar Currently looks like:

name: Kali
nick: The Butcher (It's a shout out to Pyramid Head from SH2 as well as a pseudonym and the way I analyze.)
birthday: September 10, 1982
location: Canada
things i want: Viggo, Doberman.

i like: Writing and drawing. Viggo Mortensen. Coffee. Sugar. Being moody/sarcastic. Scrawny pale guys. Yaoi. Sushi. Go-tees. Piercings. Throwing things off my balconey. Morbid conversations. RPing. Vampires. The dark and macabre. Chibi's. Aragorn. Fire. Ninjas. Wasting time. My Hamster, Vegeta and my weird fishie Mister Aragorn. Green Tea. Kazou Kiriyama. Shinji Mimura. Anth's RCED drawings. Desmond Harrington.

i don't like: Spiders. Crying. Helplessness. Thoughtless people. Closeminded People. Pressure (the bad kind)

i like: Akira. Battle Royale. Dragon Ball Z. Rurouni Kenshin. Gundam Wing. Love Kazuna. X. Ninja Scroll. Vampire Hunter D. Lodoss Wars. Please Save My Earth. Street Fighter II: the movie. Bakuretsu Hunters.

i also like: The Head. Squee. Angel Sanctuary. Fushigi Yuugi. Tank Dominion Police. Hamtaro. Blackjack. Blood: the Last Vampire. The Maxx. Law and Order. Are You Being Served. CSI. Red Dwarf.

i don't like: Many people. Public Washrooms. My roommate's/Cel's comments about wingwongs >_>;;.

music i like: Tool. Deftones. System of a Down. Massive Attack. Finger Eleven. Trust Company. Dir En Grey. Godsmack. Sevendust. Tricky. Kittie (old stuff). Korn. Linkin Park. Luna Sea. VAST.
Not to mention Yoko Kanno. This list could continue for days.

movies i like: Lord of the Rings. Resident Evil. What's Eating Gilbert Grape. Blade. Usual Suspects. Boondock Saints. Donnie Darko. Night of the Living Dead. The Breakfast Club. Prison. Dazed and Confused. Formula 51. American Yakuza. Gone in 60 Seconds. Hackers. The Gods Must Be Crazy. Crouching Tiger, Hidden Dragon. Ocean's Eleven. Leatherface: Texas Chainsaw Massacre III. The Mummy. Hero. Fast and the Furious. Ghostship. Momento. Police Academy series. Yeah, I like boyish movies, keeps the adrenaline flowing ^_~

video games i like: Resident Evil 1-4, Code Veronica, Gun Survivor, ReBirth, Outbreak. Silent Hill 1/2. Ehrgeiz. Vagrant Story. Final Fantasy 7 and 8. Lord of the Rings: Two Towers (GC). Devil May Cry. King of Fighters. Grand Theft Auto. Onimusha. Metal Gear Solid 1/2, VR Missions. Street Fighter. Fifa 2000. Pikmin. Tetris.



What...the fuck.
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    © Kali




    The Butcher list

    Wednesday, July 07, 2004

     
    I am -so- fucking bored.



    Listening: Evolution - Ayumi Hamasaki
    Kali killed someone at 10:11 PM


    (0) Zombie(s) shot in the face.

    The Butcher list

    Tuesday, July 06, 2004

     
    So I started taking a gander at my Sundance Film Festival channel.

    (My absense is over the fact that I work full time now)

    And I ran into a weird movie called "The goddess of 1967".

    Storyline:
    The film's storyline verges on the ridiculous. It opens in Tokyo where JM (Rikiya Kurokawa), a rich young IT worker and sometime computer hacker, is attempting to purchase a 1967 model Citroën DS, or Goddess, as it is known to French car aficionados. JM lives in a pristine but unfriendly hi-tech apartment. The smog filled city is blue-grey and bleak. He rarely speaks to his live-in girlfriend and is preoccupied with other possessions—his latest underwater scuba gear as well as the pet snakes and other exotic reptiles he keeps in the flat. After tracing, on the Internet, a perfectly restored Citroën owned by a couple in Australia, JM abandons his job and flies out to purchase the rare car, which he thinks can fill the emptiness in his life.

    No one meets JM at the airport but he eventually finds the home where the car is located and meets BG (Rose Byrne), a blind and emotionally unstable young woman. BG, who is minding a young child, explains that the couple did not actually own the Citroën and that the husband shot his wife and then killed himself after a violent argument over money. She shows him the car and tells him, after he has test driven it, that she can take him to its real owner, who is somewhere in the outback, a five-day drive away. Intoxicated by the vehicle, JM agrees. BG abandons the young child at the blood-splattered house, instructing her not to trust anyone.

    As BG and JM journey into the spectacular but harsh landscape, the viewer is taken on a series of complex and often confusing flashbacks which attempt to illustrate the dark tragedies that have shaped their respective lives. JM, we learn, became fabulously wealthy after a friend gave him the computer password to a major bank. But his friend was soon run over and killed by a passing truck. JM's infatuation with the car is apparently an attempt to fill the emotional gap created by his friend's death and the barren life he leads in Tokyo, which, he tells BG, is alien and “just like Mars”.

    Most of the flashbacks, however, concern BG. She was sexually attacked three years earlier by a young boxer from a travelling circus but escaped into the bush where she was protected by wild dingoes. As a young child, she was also sexually abused by her grandfather (who is her blood father) and traumatised by Marie (Elise McCredie), her disoriented and deeply religious mother. Grandpa (Nicholas Hope), who was a hippie, a wine maker and then an opal miner, believes his outback existence frees him from all moral constraints.

    BG's favourite radio show is the obituary notices program and she is infatuated by the sound of insects splattering on the Citroën's windscreen, which, she explains to JM, is the “sound of death”. Although blind, BG carries a revolver which she fires occasionally: the first time at two sinister men who pull alongside the car during JM's test drive and later, in the outback, to destroy the satellite phone JM uses to call his Tokyo girlfriend. Unbeknownst to JM, BG's grandfather owns the car and she is leading JM to him not to consummate the car's sale but in order to kill the old man.

    In the course of their journey through an unremittingly hostile world inhabited by cruel outback men and women, the couple become friends and, after JM teaches BG how to dance, tentative lovers. BG eventually finds her grandfather and confronts him in his rundown opal mine. She had planned to shoot him but, having reconciled her past in the course of the trip and found someone who genuinely cares for her, decides not to go ahead with it. The film ends with BG and JM travelling off together in the Citroën, the message being that humane relationships are only possible when people come to terms with their past.


    The movie was weird...But of course, JM is hot. So...yes.
    Artsy style films are not something I can always watch, but I really liked this movie for some reason, and it allowed me to get out of the mainstream for once.


    Oh hey, It's god.



    Listening: Love Song - the Cure
    Kali killed someone at 1:44 AM


    (1) Zombie(s) shot in the face.